The Berlin Philharmonic’s series on the Golden 20s began with a symphony by Weill and Oedipus Rex by Stravinsky. And here, the bass Andrea Mastroni was seen and heard. In fact, I had already seen him live in Hamburg, in the new production of The Magic Flute, which I didn’t really like.
The bass actually studied clarinet and seems to have a fondness for Gothic-like aesthetics.
His album Melancholia is highly recommended, from which the following piece also comes: